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  1. Camera Obscura, Camera Lucida : Essays in Honor of Annette Michelson


    URL/Identifizierer http://dare.uva.nl/document/171912
    Identifizierer alternativ90-5356-494-2 ISBN
    QuellenartElektronische Volltexte & Multimedia>>Selbständige Veröffentlichungen>>
    MitarbeiterAllen, Richard [Herausgeber]; Turvey, Malcolm [Herausgeber]
    VeröffentlichungsortAmsterdam
    Veröffentlichungsdatum2003
    VersionOnlineversion
    Umfang 297 S.
    Schlagworte FWFilmregisseurin; Filmwissenschaft; Filmkritikerin; Filmkritik; Filmtheorie
    Beschreibung "Annette Michelson's contribution to art and film criticism over the last three decades is unparalleled. This volume honors Michelson's unique legacy with original essays by some of the many scolars that have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary crtiticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson's work itself. All in some way pay homage to het extraordinary contribution and demonstrate its continued centrality to the field of art and film criticism."
    [Information des Anbieters]
    Inhaltsverzeichnis/StrukturRosalind Krauss: Preface, S. 9; Malcolm Turvey: Introduction, S. 13; Mikhail Iampolski: The Logic of an Illusion. Notes on the Genealogy of Intellectual Cinema, S. 35; Allen S. Weiss: Narcissistic Machines and Erotic Prostheses, S. 51; Tom Gunning: Loïe Fuller and the Art of Motion. Body, Light, Electricity and the Origins of Cinema, S. 75; Stuart Liebman: Visitings of Awful Promise. The Cinema Seen from Etna, S. 91; Edward Dimendberg: Transfiguring the Urban Gray. László Moholy-Nagy’s Film Scenario ‘Dynamic of the Metropolis’, S. 109; Noël Carroll: Eisenstein’s Philosophy of Film, S. 127; Peter Wollen: Knight’s Moves, S. 147; Richard Allen: Hitchcock and Narrative Suspense. Theory and Practice, S. 163; Noa Steimatsky: From the Air. A Genealogy of Antonioni’s Modernism, S. 183; William G. Simon: Dr. Strangelove or: the Apparatus of Nuclear Warfare, S. 215; Guiliana Bruno: Collection and Recollection. On Film Itineraries and Museum Walks, S. 231; Babette Mangolte: Afterward: A Matter of Time. Analog Versus Digital, the Perennial Question of Shifting Technology and Its Implications for an Experimental Filmmaker’s Odyssey, S. 261; Select Bibliography, S. 275; List of Contributors, S. 283
    Themen FWFilm>>Organisation, Beruf, Forschung; Film>>Theorie, Methodik, Didaktik
    RVK FWAP 42800; AP 45100
    DDC FWHistorische, geografische, personenbezogene Behandlung; Personen; Kinematografie, Videoproduktion, verwandte Tätigkeiten
    geographischer BezugEuropa, Westeuropa>>; Nordamerika>>USA (Vereinigte Staaten von Amerika)>>
    zeitlicher Bezug20. Jahrhundert, 1900 – 1999>>; 21. Jahrhundert, 2000 – 2099>>
    SpracheEnglisch
    Zugriffsrechtefreier Zugang