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  1. Photography, Cinema and Time in Jane Campion’s The Piano and Gail Jones’ Sixty Lights


    URL/Identifizierer http://www.outskirts.arts.uwa.edu.au/volumes/volume-16/khorana
    QuellenartElektronische Volltexte & Multimedia>>Aufsätze aus Zeitschriften / Sammelbänden>>
    UrheberKhorana, Sukhmani
    Veröffentlichungsdatum2007
    Schlagworte FWFilmanalyse; Film <Motiv>
    Freie Schlagworte FW Jane Campion; The Piano; Gail Jones; Sixty Lights
    Beschreibung "Using the logic of the absence-presence of light (through mimicking shadows and remnant ghosts) in the images/time-images of Gail Jones’ Sixty Lights and Jane Campion’s The Piano, this paper attempts to frame time such that the over-exposed past becomes the blank page of the future. I propose that history, when viewed in the light of the present, enables a truly open future for female and postcolonial subjects. It is important, therefore, to think of the blank page emerging from the over-exposed image not as symbolic of a psychoanalytic lack of the phallus, but as an open response in the wake of the excesses of phallogocentrism and Eurocentrism." (Information des Anbieters)
    Themen FWFilm>>Inszenierung und Regie; Film>>Einzelne Filme (Sekundärliteratur)
    RVK FWAP 50800; AP 51005-AP 51400; AP 59800
    DDC FWPhilosophie, Theorie, Ästhetik; Historische, geografische, personenbezogene Behandlung; Personen
    geographischer BezugBehandlung nach Gebieten, Regionen, Orten im Allgemeinen>>
    zeitlicher Bezugzeitlich übergreifend / unabhängig>>
    SpracheEnglisch
    Anmerkungen zur RessourceOutskirts online journal: feminisms along the edge, Vol. 16.