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  1. Women in Chinese Cinema

    QuellenartElektronische Volltexte & Multimedia>>Aufsätze aus Zeitschriften / Sammelbänden>>
    UrheberLaw, Jo
    Schlagworte FWFilm; Film <Motiv>; China
    Beschreibung "In any consideration of the politics of visuality in reading/viewing 'marginalised' cinema in an intercultural context, the hegemony of vision must also be taken into account. Cultural production as autoethnography is not isolated within the sphere of so-called orientalist anthropology, but offers sites of resistance. The 'gaze' of 'otherness', therefore, becomes the looking at oneself being looked at. Having understood these 'post-colonial' conditions, viewing contemporary Chinese cinema, then, simultaneously becomes a reading of the modern Chinese social fabric. In fact, it is the recent decades of social trans/formation in China which acts as the basis of film cultural development. These visions function as cultural texts of the changing Chinese social landscape in the tradition of its national literature. The works of the 'fifth generation' filmmakers in China are perhaps the most important in post-revolutionary filmic culture. The autonomy in narrative direction and the emergence of subjectivity within these films mark the characteristic rendering of the socio-political configurations occurring within modern China." (Information des Anbieters)
    Themen FWFilm>>Beziehungen, Ausstrahlungen, Einwirkungen; Film>>Film in einzelnen Ländern
    RVK FWAP 47950; AP 59762
    DDC FWHistorische, geografische, personenbezogene Behandlung
    geographischer BezugAsien Orient Ferner Osten>>China und benachbarte Gebiete>>
    zeitlicher Bezug20. Jahrhundert, 1900 – 1999>>1990 - 1999>>; 21. Jahrhundert, 2000 – 2099>>
    Anmerkungen zur RessourceOutskirts online journal: feminisms along the edge, Vol. 1.