ViFa medien buehne Film Logo  Film ViFa medien buehne film Logo

  1. Cinema/History : Philippe Garrel, Bernardo Bertolucci and May 1968


    URL/Identifizierer http://www.alphavillejournal.com/Issue%201/ArticlesPDF/ArticleLeonard.pdf
    QuellenartElektronische Volltexte & Multimedia>>Aufsätze aus Zeitschriften / Sammelbänden>>
    UrheberLeonard, Michael
    Veröffentlichungsdatum2011
    Umfang 16 S.
    Schlagworte FWFilmregisseur; Filmanalyse; Filminterpretation -> Interpretation Film; Motiv
    Freie Schlagworte FW Philippe Garrel; Bernardo Bertolucci; 1968
    Beschreibung "This article compares the engagement with the history of May 1968 in Philippe Garrel’s Les Amants réguliers/Regular Lovers (2005)and Bernardo Bertolucci’s The Dreamers (2004). Through a close study of both films, it demonstrates how Garrel finds a more nuanced and transformative aesthetic than Bertolucci in representing this defining moment in modern French culture and politics. The films share a number of aspects; most notably, they draw upon the history of cinema itself in recalling this period, an approach that can be related to Godard’s project in Histoire(s) du Cinéma (1988-1998). However, their differing approaches to cinematographic citation (metonymic in the case of Bertolucci, and metaphoric in the case of Garrel) have significant implications for the temporal dynamics of each film. The article argues that Bertolucci’s method is intrinsically conservative—reactionary, even—implying an historical linearity that reinforces the “pastness” of May, its significance as a piece of “heritage” rather than part of an ongoing historical process, or dialectic. Garrel’s practice of citation, by contrast, generates a more radical, heterochronous form that constitutes a testimony to May 1968 by evoking its continued presence. In the course of its discussion, the article also reflects on the relationship between Les Amants réguliers and the nouvelle vague, exploring in particular the relations between this film and Jacques Rivette’s Paris nous appartient (1961)." (Information des Anbieters)
    Inhaltsverzeichnis/StrukturFaux amis: Further Comparisons Between The Dreamers and Les Amants réguliers; The Dreamers: Film Citation through Metonymy; Les Amants réguliers: Film Citation through Metaphor; Les Amants réguliers and Paris nous appartient; Conclusion; Notes; Works Cited
    Themen FWFilm>>Filmthemen und Drehbuch; Film>>Inszenierung und Regie
    RVK FWAP 50300; AP 51054
    DDC FWHistorische, geografische, personenbezogene Behandlung
    geographischer BezugEuropa, Westeuropa>>
    zeitlicher Bezug20. Jahrhundert, 1900 – 1999>>
    SpracheEnglisch
    Anmerkungen zur RessourceAlphaville: Journal of Film and Screen Media Issue 1, Summer 2011