ViFa medien buehne Film Logo  Film ViFa medien buehne film Logo

  1. Images never again witnessed/concepts never again thought : (nostalgia) and utopia in the aporia of aesthetic theory


    URL/Identifizierer http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=21985&silo_library=GEN01
    QuellenartElektronische Volltexte & Multimedia>>Hochschulschriften>>
    UrheberNoble-Olson, Matthew
    Verleger McGill University
    Veröffentlichungsdatum2008
    Umfang 106 S.
    Schlagworte FWFilmanalyse; Filmästhetik
    Beschreibung "Using Hollis Frampton's 1971 film (nostalgia), this thesis works to negate the dominance of the concept over the artwork. This will be accomplished by thinking through (nostalgia), rather than about it. In other words, (nostalgia) will be the logical grounds upon which the concepts must prove themselves. The very form of the film will determine the manner in which the concepts develop. This thesis strives to understand (nostalgia) not so much by analyzing it from outside of its own immanent purpose, but through an imitative analysis. Using this method, texts by Theodor Adorno, Roland Barthes, and Ernst Bloch will be interpreted. Therefore, the concepts of these thinkers will act according to the objective demands of the film itself. This is an analysis that does not focus on the artwork as a topic, but as an epistemic model for analyzing aesthetic concepts." (Information des Anbieters)
    Inhaltsverzeichnis/StrukturAufheben das Denkbild; Catastrophic Enigmas; Damaged in Absence; The Critique of Utopian Reason; Haunting the Dialectical Imagination; Bibliography
    Themen FWFilm>>Theorie, Methodik, Didaktik; Film>>Einzelne Filme (Sekundärliteratur)
    RVK FWAP 45000; AP 45100; AP 45400; AP 59800
    DDC FWPhilosophie, Theorie, Ästhetik
    geographischer BezugBehandlung nach Gebieten, Regionen, Orten im Allgemeinen>>
    zeitlicher Bezugzeitlich übergreifend / unabhängig>>
    SpracheEnglisch