ViFa medien buehne Film Logo  Film ViFa medien buehne film Logo

  1. Coming to terms with the past: post-1989 strategies in German film culture


    URL/Identifizierer http://www.scribd.com/doc/34110090/Studies-in-Eastern-European-Cinema-1-1#page=30
    QuellenartElektronische Volltexte & Multimedia>>Aufsätze aus Zeitschriften / Sammelbänden>>
    UrheberBondebjerg, Ib
    Veröffentlichungsdatum2010
    Umfang 14 S.
    Schlagworte FWFilmgeschichtsschreibung; Regisseur; Filmmotiv -> Motiv Film
    Freie Schlagworte FW Andreas Dresen; Ostalgie
    Beschreibung "This article deals with institutional changes and differences between the two German film cultures before and after 1989 during the unification process. But the main focus is on different genres and strategies in films dealing with the East German past and the unified post-1989 Germany, and with directors with an East German background and directors with a West German background. The article looks into three specific generic strategies: the historical transition drama; the realist strategy and the comedy strategy and the very different ways they treat the past; the transition and the present." (Information des Anbieters)
    Inhaltsverzeichnis/StrukturTHE SOCIAL AND CULTURAL TRANSFORMATION: INSTITUTIONAL ASPECTS; A GERMAN FILM CULTURE IN TRANSITION; HISTORICAL DRAMAS OF TRANSITION; HUMOUR, SATIRE AND NOSTALGIA: GDR LIFE AS COMEDY; A SOCIAL CINEMA OF EVERYDAY LIFE: ANDREAS DRESEN; DRESEN AND THE COMEDY OF POST-COMMUNIST LIFE; Conclusions; References
    Themen FWFilm>>Inszenierung und Regie; Film>>Film in einzelnen Ländern
    RVK FWAP 51005-AP 51400; AP 59710; AP 59718
    DDC FWHistorische, geografische, personenbezogene Behandlung
    geographischer BezugEuropa, Westeuropa>>Mitteleuropa, Deutschland>>
    zeitlicher Bezug20. Jahrhundert, 1900 – 1999>>1990 - 1999>>; 21. Jahrhundert, 2000 – 2099>>2000 - 2009>>
    SpracheEnglisch
    Anmerkungen zur RessourceBondebjerg, I. (2010), ‘Coming to terms with the past: post-1989 strategies in German film culture’, Studies in Eastern European Cinema 1: 1, pp. 29–42, doi: 10.1386/seec.1.1.29/1