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  1. The ‘transnational’ as methodology : transnationalizing Chinese film studies through the example of The Love Parade and its Chinese remakes


    URL/Identifizierer http://www.scribd.com/doc/18758574/Journal-of-Chinese-Cinemas-Volume-2-Issue-1#page=10
    Identifizierer alternativdoi: 10.1386/jcc.2.1.9/1 DOI
    QuellenartElektronische Volltexte & Multimedia>>Aufsätze aus Zeitschriften / Sammelbänden>>
    UrheberWang, Yiman
    Veröffentlichungsdatum2008
    Umfang 13 S.
    Schlagworte FWFilmwissenschaft; China
    Beschreibung "This essay critiques unreflective celebration of transnational Chinese cinema and proposes the ‘transnational’ as methodology. By examining the dual modes of address in a Hong Kong remake of a Lubitsch musical comedy, I demonstrate the importance of scrutinizing border politics and the ‘foreignization’ of Chinese cinema in its transnational production and reception." (Information des Anbieters)
    Inhaltsverzeichnis/StrukturThe euphoria of the transnational; The ‘foreign’ perspective and the dual modes of address; Foreignizing the transnational; References
    Themen FWFilm>>Organisation, Beruf, Forschung; Film>>Film in einzelnen Ländern
    RVK FWAP 42800; AP 59762
    DDC FWPhilosophie, Theorie, Ästhetik; Historische, geografische, personenbezogene Behandlung
    geographischer BezugAsien Orient Ferner Osten>>China und benachbarte Gebiete>>
    zeitlicher Bezug21. Jahrhundert, 2000 – 2099>>2000 - 2009>>
    SpracheEnglisch
    Anmerkungen zur RessourceWang, Y. (2008), ‘The ‘transnational’ as methodology: transnationalizing Chinese film studies through the example of The Love Parade and its Chinese remakes’, Journal of Chinese Cinemas 2: 1, pp. 9–21, doi: 10.1386/jcc.2.1.9/1