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  1. Marginal pleasure and auteurist cinema : the sexual politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon


    URL/Identifizierer http://rave.ohiolink.edu/etdc/view?acc_num=osu1116968586
    QuellenartElektronische Volltexte & Multimedia>>Hochschulschriften>>
    UrheberSchilt, Thibaut
    Verleger Ohio State University
    Veröffentlichungsdatum2005
    Umfang 264 S.
    Schlagworte FWAutokino; Regisseurin; Autorenfilm; Filmgeschichtsschreibung; Filmanalyse; Regisseur; Motiv; Frankreich
    Freie Schlagworte FW Robert Bresson; François Ozon; Catherine Breillat; Jean-Luc Godard
    Beschreibung "This dissertation considers and evaluates French auteurist cinema in two contexts: first, in terms of the 1950s/1960s, a period during which the politique des auteurs became a salient part of film criticism nationally and internationally, and second, in terms of contemporary cinema in France today, where the concept of auteur, though never completely forsaken since the Nouvelle Vague, has experienced a revival. A large amount of existing critical literature discusses various aspects of Robert Bresson and Jean-Luc Godard’s works, which coincide with the emergence and espousal of the politique, but critics and historians rarely consider the sexual politics of their cinema in much detail. With that in mind, I look closely at a selection of their films, which differ from other auteur works of the period in that they attempt to problematize gender difference and sexuality. The second part of the study examines the cinema of Catherine Breillat and François Ozon, whose works destabilize notions of gender (masculinity, femininity) and sexuality in an even more daring and explicit fashion. Their films, seldom discussed in the context of the politique des auteurs, will be examined as contemporary examples of auteurist cinema, but also in relation to the auteur cinema of the 1950s/1960s, in an attempt to determine both the continuity of the cinema of auteurs and the radical differences between these two periods of French film history." [Information des Anbieters]
    Inhaltsverzeichnis/StrukturIntroduction; The Sexual Politics of the Politique: From 1950s French Criticism to Contemporary Auteurist Cinema; Dark Secrets, White Scarves: The Cinema of Robert Bresson; Drôle de genre(s): The Cinema of Jean-Luc Godard; The Virgin, the Mother and the Whore: The Cinema of Catherine Breillat; Queer Zone: The Cinema of François Ozon; Conclusion; Bibliography
    Themen FWFilm>>Inszenierung und Regie; Film>>Film in einzelnen Ländern
    RVK FWAP 51056; AP 51150; AP 59735
    DDC FWPhilosophie, Theorie, Ästhetik; Historische, geografische, personenbezogene Behandlung; Personen
    geographischer BezugBehandlung nach Gebieten, Regionen, Orten im Allgemeinen>>
    zeitlicher Bezugzeitlich übergreifend / unabhängig>>
    SpracheEnglisch
    Zugriffsrechtefreier Zugang