ViFa medien buehne Film Logo  Film ViFa medien buehne film Logo

  1. A Space and Time Machine : Actuality Cinema in New York City, 1890s to c. 1905

    Identifizierer alternativhttp:/​/​​142/​ ; URL
    QuellenartElektronische Volltexte & Multimedia>>Hochschulschriften>>
    UrheberWalsh, John
    Verleger University of Nottingham
    Umfang 359 S.
    Schlagworte FWFilmgeschichtsschreibung; USA; New York
    Beschreibung "Urban actuality films are short, single shot views of street scenes, skyscrapers or construction sites, or views from moving vehicles. They are, typically, regarded as simple filmic snap-shots. Conversely, early cinema is conventionally thought to be a complex hybrid medium, a crucible for the idea and representation of the modern. Through close, contextualised analysis of a series of New York films, this study addresses the discrepancy between the putative insubstantiality of actuality films and the evident complexity of early cinema. A hitherto overlooked historical coincidence of actuality cinema, the modernisation of New York and its intermedial culture is shown to provide both a subject and setting for filmmakers. Actuality cinema is a technology of the present; accordingly, temporality is pivotal for this study. Tom Gunning's 'cinema of attractions' thesis and a neurological conception of modernity posit a familiar shocks-and-jolts axis of the relations between cinema and modernity. In contrast, I argue for an alternative axis, founded in periods, rather than moments, of time and seek to demonstrate cinema's role as a technology of an expanded present time. Fifteen films of transport systems, skyscraper building sites and ways of seeing New York's streets, make up the primary source material. In these films, time provides a space for the representation and negotiation of the modern. An expanded present fosters a thickened visuality. Within New York's intermedial culture, the adoption of stereoscopic visual practices was key to constructing a coherent filmic present, and a place for the spectator within a cinematic world. As a functioning space and time machine, a cinema of simultaneity, the complexity of actuality filmmaking practices increasingly moved actualities towards, and enabled their interrelation with, an emerging narrative cinema. Rather than a failed experiment, New York actuality cinema is here demonstrated to be an example of cinema working." (Information des Anbieters)
    Inhaltsverzeichnis/Struktur1. Introduction: Seeing More and Disavowing less; 2. Research Context: Modernity; 3. Research Context: Early Cinema; 4. Early Cinema’s Context: New York City; 5. Conclusion: Transitional Actuality Films; Bibliography; Filmography
    Themen FWFilm>>Biographie, Filmgeschichte
    RVK FWAP 44983
    DDC FWHistorische, geografische, personenbezogene Behandlung
    geographischer BezugNordamerika>>USA (Vereinigte Staaten von Amerika)>>
    zeitlicher Bezug20. Jahrhundert, 1900 – 1999>>1900 - 1919>>