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  1. Stars : The configuration and trajectory of women in Chinese cinema during the first half of the Twentieth Century


    URL/Identifizierer http://digitool.library.mcgill.ca:8881/R/?func=dbin-jump-full&object_id=32394
    Identifizierer alternativhttp://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=32394&current_base=GEN01 URL
    QuellenartElektronische Volltexte & Multimedia>>Hochschulschriften>>
    UrheberSweeny, Margaret Isabel
    Verleger Department of East Asian Studies, McGill University Montreal
    Veröffentlichungsdatum2009
    Umfang 94 S.
    Schlagworte FWFilmgeschichtsschreibung; Filmanalyse; Filmtheorie; Motiv; China; Frauenbild
    Freie Schlagworte FW Gender Studies
    Beschreibung "In this thesis I will explore the figure and configuration of women in twentieth century Chinese cinema. I begin my investigation by establishing a more general understanding of how the cinema, as a structure of modernity, functions in relation to the formation of modern subjectivity, sensibility, and everyday life. I then narrow my investigation to the evolution of the cinema in the specific context of twentieth century China. In so doing, I establish how the evolution of the cinema and the figure and configuration of women developed in relation to the forging a new national identity. Through a discussion of the 1920s nüxiapian subgenre, New Woman (1935), and Song of Youth (1959), I trace the development of the figure of women in the cinema through major periods in modern Chinese history, thus, exposing the ideological investment in specific representations. My investigation reveals the political, and not merely sexually political, implications of the representation and circulation of the figure of the woman in modern Chinese culture." (Information des Anbieters)
    Inhaltsverzeichnis/StrukturIntroduction: "The New Woman Incident" and the Trajectory of Stars in Chinese Cinema During the First Half of the Twentieth Century; Chapter One: The Modern Experience and Cinema: The Mobilization of Modern Subjectivity and Everyday Life; Chapter Two: Early Chinese Cinema and the Fight Over the Modern Girl: New Woman (1935); Chapter Three: Subjectivity, Sublimation, and Women in Revolutionary Realist Cinema: Song of Youth (1959); Conclusion: Sacrificed Youth (1985), the State-Promoted Celebration of Feminine Youth, and Historical Revenge; Works Cited
    Themen FWFilm>>Biographie, Filmgeschichte; Film>>Theorie, Methodik, Didaktik; Film>>Beziehungen, Ausstrahlungen, Einwirkungen
    RVK FWAP 44962; AP 45000; AP 45100; AP 46700; AP 47950
    DDC FWPhilosophie, Theorie, Ästhetik; Historische, geografische, personenbezogene Behandlung
    geographischer BezugAsien Orient Ferner Osten>>China und benachbarte Gebiete>>
    zeitlicher Bezug20. Jahrhundert, 1900 – 1999>>1900 - 1919>>; 20. Jahrhundert, 1900 – 1999>>1920 - 1929>>; 20. Jahrhundert, 1900 – 1999>>1930 - 1939>>; 20. Jahrhundert, 1900 – 1999>>1940 - 1949>>
    SpracheEnglisch