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  1. Subjectivity in the New Hollywood Cinema : Fathers, Sons and Other Ghosts


    URL/Identifizierer http://dare.uva.nl/record/86382
    QuellenartElektronische Volltexte & Multimedia>>Hochschulschriften>>
    UrheberVojkovic, Sasha
    Verleger Universiteit van Amsterdam
    Veröffentlichungsdatum2001
    Umfang 416 S.
    Schlagworte FWFilmgeschichtsschreibung; Filmanalyse; Filmsemiotik; Motiv; Subjektivität
    Freie Schlagworte FW New Hollywood Cinema
    Beschreibung "In my study, the main thrust will be placed on the connection these films effectuate between cinematic representation and narrative. The emphasis on representation implies that the purpose of narratological analysis is not only to demonstrate that, their simplicity notwithstanding, these films are narrative. More importantly, the analyses will enable me to explain that the preoccupation with fathers and sons traceable in a wide range of new Hollywood blockbusterss is dependent on those invisible subjective views - the "ghosts" - various narratorial authorities which determine the ways our reality is "told," framed or symbolized. These aims call for a theory that "defines and describes narrativity, not narrative; not a genre or object but a cultural mode of expression". Engaging with these objects critically will ultimately sharpen our awareness that we too have a role to play in the production of the
    new Hollywood's "special effects."" (Information des Anbieters; aus der Einleitung)
    Inhaltsverzeichnis/StrukturIntroduction; Chapter 1 Processing Banality, Structuring the Sublime: ET - The Extraterrestrial; Chapter 2 Back to the Future: Time Travel and Difference; Chapter 3 Indiana Jones and the Work of Archeology; Chapter 4 The Father, the Son and the Haunted Look: The Star Wars Trilogy; Chapter 5 Eat Me, Drink Me, Territorialize me: Woman as the Negative Emblem of Différance; Chapter 6 What Can She Know, Where Can She Go: Extraterritoriality and the Symbolic Universe; Chapter 7 When Origin Speaks by ltself: Schindler's List and the Return to the Promised Territory; Conclusion The New Hollywood Cinema and the Re-Construction of the Symbolic Universe; Bibliography; Filmography
    Themen FWFilm>>Biographie, Filmgeschichte; Film>>Theorie, Methodik, Didaktik; Film>>Beziehungen, Ausstrahlungen, Einwirkungen
    RVK FWAP 44983; AP 45000; AP 45100; AP 45200; AP 45300; AP 45700; AP 46700; AP 47400
    DDC FWPhilosophie, Theorie, Ästhetik; Historische, geografische, personenbezogene Behandlung
    geographischer BezugNordamerika>>USA (Vereinigte Staaten von Amerika)>>
    zeitlicher Bezug20. Jahrhundert, 1900 – 1999>>1980 - 1989>>; 20. Jahrhundert, 1900 – 1999>>1990 - 1999>>
    SpracheEnglisch